Titam et le beau siècle


Corseteries, taffetas et broderies, où l'art de vivre des 17ème et 18ème siècles.
Contact: mademoiselle.titam@gmail.com




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oldrags:

Robe à la française, ca 1760 (textile ca 1750) France, LACMA

oldrags:

Robe à la française, ca 1760 (textile ca 1750) France, LACMA

Source: oldrags

oldrags:

Dress, ca 1795 England, LACMA

oldrags:

Dress, ca 1795 England, LACMA

Source: oldrags

mmeguillotine:

Nothing could be more French than to allow current affairs to influence fashion (just look at the hairstyles concocted by Rose Bertin for Marie Antoinette and her coterie – battleships, babies being born and balloons taking off are just a few examples) and the outrageously dressed Merveilleuses are the finest example of this.
Les Merveilleuses (‘The Marvellous Ones’) made their first appearance in 1794 and influenced by the victims of the guillotine, they cultivated a highly modish and edgily morbid style that bordered on the gothic. The leaders of the Merveilleuses were the extremely stylish Theresa Tallien and Rose de Beauharnais, both of whom had been imprisoned during the Terror and had barely escaped with their lives.
One of the favoured accessories of the fashionable Merveilleuse was a thin red ribbon or choker of rubies, designed to mimic droplets of blood around a severed neck.

mmeguillotine:

Nothing could be more French than to allow current affairs to influence fashion (just look at the hairstyles concocted by Rose Bertin for Marie Antoinette and her coterie – battleships, babies being born and balloons taking off are just a few examples) and the outrageously dressed Merveilleuses are the finest example of this.

Les Merveilleuses (‘The Marvellous Ones’) made their first appearance in 1794 and influenced by the victims of the guillotine, they cultivated a highly modish and edgily morbid style that bordered on the gothic. The leaders of the Merveilleuses were the extremely stylish Theresa Tallien and Rose de Beauharnais, both of whom had been imprisoned during the Terror and had barely escaped with their lives.

One of the favoured accessories of the fashionable Merveilleuse was a thin red ribbon or choker of rubies, designed to mimic droplets of blood around a severed neck.

Source: madameguillotine.wordpress.com

18thcentury:

Stomacher 1760sSwitzerland©The Kyoto Costume Institute, photo by Toru Kogure 

18thcentury:

Stomacher 
1760s
Switzerland
©The Kyoto Costume Institute, photo by Toru Kogure 

Source: kci.or.jp

Anonymous asked: :) Lovely blog

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Marie-Josèphe de Saxe, Dauphine de France en 1747 (1731-1767), vers 1747, par Daniel Klein le Jeune (1672-1744)

Marie-Josèphe de Saxe, Dauphine de France en 1747 (1731-1767), vers 1747, par Daniel Klein le Jeune (1672-1744)

Tagged: KleinPortrait18th Century

Robe à l’anglaise, 1784-1787 (France)

Robe à l’anglaise, 1784-1787 (France)

Tagged: Dress18th CenturyFashion

Dress, circa 1795 (Italy, Napoli)

Dress, circa 1795 (Italy, Napoli)

Tagged: DressRevolution18th Century

Portrait de Mademoiselle Sophie d’Arnoult (1744-1803), dans l’opéra de Pyrame et Thisbé par Louis Carrogis, dit Carmontelle (1717-1806), 1760

Portrait de Mademoiselle Sophie d’Arnoult (1744-1803), dans l’opéra de Pyrame et Thisbé par Louis Carrogis, dit Carmontelle (1717-1806), 1760

Tagged: CarmontellePortraitactresssinger18th Century

La lettre par A. Linard

La lettre par A. Linard

Tagged: Linard19th Century